MaryPat Leger [email protected]
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Plein Air Landscape Quilts

The process begins on location. I use a 1" thick piece of insulation board as my "canvas." The board is covered on all sides with white flannel. I put a piece of batting on the board, so I will have a solid piece when I go to move the image from the board. This also helps the larger background fabrics (sky and water) to adhere without an adhesive layer.
I have two tubs of fabric and two portfolio books with smaller pieces of fabric with me to shop from. I do not "travel light" as you can see.
I spent 2 mornings working outside for about 3-4 hours each day to collage the image. You need to take time to enjoy the beauty of the location. 
I pin each piece to the board with short straight pins as I cut each piece out.
I have discovered that it is easier to fold a straight line for the horizon of the ocean than to try to cut it. This also means it doesn't fray, so I have a nice clean horizon line on water.

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take reference photos to use when quilting

Take a whole scene and several close ups for details that will be added in the quilting.
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This image was all completed to this point on location.
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Back in the studio

Remove pins one at a time and turn them so they go through the fabric layers, but not into the board. When you can carefully lift the image off the board, move it to the sewing machine and begin sewing the raw edges to secure them, making a solid piece of fabric.
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Layer your picture (top) with batting and backing and quilt.

  

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Here I have begun the quilting process. The sky and water are quilted. Remember to stop and hang your piece up so you get a long view of it before moving onto each section so you can plan your quilting pattern.
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Decide what type of border if any you want to use and how you will finish the piece: mount it on a board, mat it and frame it under glass, make soft borders and add a hanging sleeve, or incorporate it into a larger quilt.
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